Richard Gorman

dalkey 2

16 June - 15 August 2020

Richard Gorman
Dalkey Eight 2020
gouache on handmade echizen kozo washi paper
64 x 51.5 cm / 25.2 x 20.3 in unframed 
72 x 59 cm / 28.3 x 23.2 in framed 

 

Richard Gorman
Dalkey Six 2020
gouache on handmade echizen kozo washi paper
64 x 51.5 cm / 25.2 x 20.3 in unframed 
72 x 59 cm / 28.3 x 23.2 in framed

Richard Gorman
Dalkey Eleven 2020
gouache on handmade echizen kozo washi paper
63 x 51 cm / 24.8 x 20.1 in unframed 
72 x 59 cm / 28.3 x 23.2 in framed 

Richard Gorman, Not the other 2020, oil on linen, 100 x 100 cm / 39.4 x 39.4 in

Richard Gorman, Echo Delta, 2020, oil on linen, 100 x 100 cm / 39.4 x 39.4 in

Richard Gorman, dalkey 2, Kerlin Gallery, 16 June - 15 August 2020

Richard Gorman, Victor Victor, 2020, oil on linen, 170 x 170 cm / 66.9 x 66.9 in

Richard Gorman, Charlie Charlie, 2020, oil on linen, 170 x 340 cm / 66.9 x 133.9 in 

Richard Gorman, dalkey 2, Kerlin Gallery, 16 June - 15 August 2020

Richard Gorman, Zulu Echo, 2020, oil on linen, 100 x 100 cm / 39.4 x 39.4 in
Richard Gorman , Echo Zulu, 2020, oil on linen, 100 x 100 cm / 39.4 x 39.4 in  

Richard Gorman, dalkey 2, Kerlin Gallery, 16 June - 15 August 2020

Richard Gorman, Yankee X-Ray, 2020, oil on linen, 150 x 150 cm / 59.1 x 59.1 in

Richard Gorman, dalkey 2, Kerlin Gallery, 16 June - 15 August 2020

Richard Gorman, Romeo Papa 2020, oil on linen, 150 x 150 cm, 59.1 x 59.1 in 
Kerlin Gallery is pleased to presenting an exhibition of new paintings by Richard Gorman, dalkey 2.
 
dalkey 2 is the second part to the exhibition by Richard Gorman that began in early March but was quickly interrupted by Covid-19. All of these paintings were made by Richard while he was cocooning in his studio in Dublin during 'lockdown'.
 
In dalkey 2, Gorman continues with his personal take on the 'emotional geometry' for which he has become celebrated in the past two decades. Approached with a lightness of touch, the works carry a renewed sense of movement and immediacy: angular, interlocking blocks of colour seem to spiral outwards, while radial shapes pirouette on their axis.
 
As Gorman’s understanding and mastery of colour has deepened, he has begun to use it not only as a harmonic device, but as an active and animating element in his paintings: flat blocks of colour step to an offbeat rhythm, laid down in a jazz cool palette. Giving a nod to the gestural, expressionist works with which Gorman began his career in the 1980s, this new body of work takes on a more liberated, looser and freer painterly approach, all while demonstrating the intuitive balancing of colour, form and line that his work is prized for.
 
Recent solo exhibitions include: dalkey, Kerlin Gallery, Dublin (2020); Keijo, Chigasaki Museum, Japan (2019); Kerlin Gallery, Dublin (2016, 2012, 2006, 2003); KAN, Assab One, Milan (2015); KIN, The MAC, Belfast (2014); Richard Gorman, Painting and Prints, Mitaka City Gallery of Art & Ashikaga City Museum of Art Japan (Both 2010); Shuffle, Royal Hibernian Academy, Dublin (2009); Oeuvres nouvelles, Centre Culturel Irlandais, Paris (2007); Paintings and Paper Works, Koriyama City Museum of Art Koriyama, Japan (2002); Big Blue, Mural Koriyama City Museum of Art Fukushima, Japan (2002); Nine Paintings, Royal Hibernian Academy, Dublin and Crawford Art Gallery, Cork, (2001); Made in Japan, Limerick City Art Gallery, Limerick, Ireland (2000) and Mitami City Gallery of Art and Mitaka City Art Foundation, Japan (1999). Recent group exhibitions include: Der Spiegel Galerie, Cologne; Irish Museum of Modern Art, Dublin; and 'A Measured Quietude', an exhibition of contemporary Irish drawings, which toured the Berkeley Art Museum, California and The Drawing Centre, New York.