Samuel Laurence Cunnane
Aleana Egan
Justin Fitzpatrick
Siobhán Hapaska
Merlin James
Stephen McKenna
Ailbhe Ní Bhriain
Isabel Nolan
With support from
Culture Ireland
Siobhán Hapaska
The thought of blood on concrete 3, 2026
concrete canvas, jesmonite, epoxy resin, mirror
37 x 168 x 24 cm / 14.6 x 66.1 x 9.4 in
Aleana Egan
wing papers
2026
oil on linen with solid white oak and linen mount
60 x 73 cm / 23.6 x 28.7 in
74 x 87 x 7 cm / 29.1 x 34.3 x 2.8 in (framed size)
Aleana Egan
star song
2026
oil on canvas with solid white oak and linen mount
60 x 73 cm / 23.6 x 28.7 in
74 x 87 x 7 cm / 29.1 x 34.3 x 2.8 in (framed size)
Siobhán Hapaska
The thought of blood on concrete 3
2026
concrete canvas, jesmonite, epoxy resin, mirror
37 x 168 x 24 cm / 14.6 x 66.1 x 9.4 in
Merlin James
Dredge
2018
acrylic and mixed media
121.3 x 214.6 x 8 cm / 47.8 x 84.5 x 3.1 in
Merlin James
Thread Mill
2025
acrylic on canvas with wood frame
75 x 70 x 4.5 cm / 29.5 x 27.6 x 1.8 in
Samuel Laurence Cunnane
Steel Rope
2018
Hand-printed silver gelatin print, framed
1/3 from edition of 3 + 1AP
27.8 x 37.5 cm / 10.9 x 14.8 in (image size)
50.5 x 60.4 x 4 cm / 19.9 x 23.8 x 1.6 in (framed size)
Samuel Laurence Cunnane
Red Kitchen
2025
Hand-printed C-type print on archival photo paper, framed
3/3 from an edition of 3 + 1 AP
32 x 47.5 cm / 12.6 x 18.7 in (image size)
55 x 70 x 4 cm / 21.7 x 27.6 x 1.6 in (framed size)
Ailbhe Ní Bhriain
Familiar Sun (III)
2026
Jacquard tapestry, wool, cotton, silk, Lurex
1/5 from an edition of 5 + 2 AP
199.5 x 128.5 x 4 cm / 78.5 x 50.6 x 1.6 in
Isabel Nolan
DREAMSHOOK
Pavillion of Ireland at the 61st Venice Biennale
photo Mark Blower
Isabel Nolan
Oh! (Sundown), 2026
hand-painted mild steel
Isabel Nolan’s representation of Ireland at the 61st Venice Biennale has been widely acclaimed.
Nolan continues her recent body of work at Art Basel with a new sculpture, a sister work to one in her Venice Pavilllion.
Oh! (Sundown ) presents a beautiful full length red curtain in hand painted steel - elegantly
swaying in the breeze but frozen in motion. Nolan draws on artefacts and ideas from the formative times of the early Renaissance; a profoundly turbulent period marked by period marked by religious and political upheaval, a time transformed by cultural and technological developments and to Nolan, an era mirroring and still influencing the times we live win now.
Isabel Nolan
“Take That Play...” (Mary Renault)
2025
coloured pencil on paper, framed
21 x 29.7 cm / 8.3 x 11.7 in (paper size)
26 x 34.5 x 3 cm / 10.2 x 13.6 x 1.2 in (framed size)
Isabel Nolan
Oh! (Sundown)
2026
hand-painted mild steel
2/2 from an edition of 2
270 x 210 x 3 cm / 106.3 x 82.7 x 1.2 in
Isabel Nolan
Miracle of the Two Dreams (after Giotto)
2026
coloured pencil and pencil on paper, framed
29.7 x 21 cm / 11.7 x 8.3 in (paper size)
34.5 x 26 x 3 cm / 13.6 x 10.2 x 1.2 in (framed size)
Isabel Nolan
Joyful solitude
2026
pencil on paper, framed
21 x 29.5 cm / 8.3 x 11.6 in (paper size)
27.5 x 36 x 4 cm / 10.8 x 14.2 x 1.6 in (framed size)
Isabel Nolan
Fra Angelico’s Flames
2026
coloured pencil and pencil on paper
29.7 x 21 cm / 11.7 x 8.3 in (paper size)
36 x 27.5 x 4 cm / 14.2 x 10.8 x 1.6 in (framed size)
