Willie Doherty
b. 1959, Derry, Northern Ireland
Lives and works in Donegal and Derry

Willie Doherty has been a pioneering figure in contemporary art film and photography for four decades. Exploring the relationship between landscape and memory, Doherty responds to mysterious isolated settings that conceal a troubled past. Whether in the US or his native Northern Ireland, the artist studies these terrains in forensic detail, as if leaking the stories contained within the landscape. Doherty’s video and photo works reveal the impossibility of objectivity and historical truth, using powerful language and disorientating imagery to reflect on how we approach histories of trauma. 'Inversion' is a new series of photographic works that continues Doherty’s exploration of landscape and extends his use of the diptych form. Constructed from a single black and white negative, the image is split and inverted to create an enigmatic and visually ambiguous hybrid.

Doherty has exhibited in many of the world’s leading museums and international exhibitions including Documenta, Manifesta, the Carnegie International, FRONT International Cleveland Triennial and the Venice, São Paulo and Istanbul biennales. The photographs shown at Art Basel Miami Beach are from a recent institutional touring solo exhibition, Remnant, visiting Solstice Arts Centre, Navan, Ireland and Matts Gallery, London, UK (both 2024).

Callum Innes
b. 1962, Edinburgh, Scotland
Lives and works in Oslo, Norway and Edinburgh, Scotland

Callum Innes creates abstract paintings that carry a powerful tension between control and fluidity. Dissolution is central to his practice: layers of deep pigments are brushed over with turpentine, breaking down sections of paint and leaving watery, trace elements, before being painted over again. Repeating this process of painting, dissolving and repainting multiple times, Innes builds depth and a sense of history: oblique panels of dense pigments become embedded and fortified, while tiny trickles or rivulets of liquified paint point to their underlying fragility. Though Innes’s works may seem minimal or geometric at first glance, they are in fact always slightly “off kilter”, governed by imperfectly drawn lines and slightly softened shapes. This fallibility and humanity, put in contrast with the artist’s skill and precision as a painter, results in works of great poetic and contemplative power – cementing Innes’s place as one of the most significant abstract painters of his generation.

Callum Innes has been the subject of solo exhibitions at De Pont Museum, Tilburg; Kunsthalle Bern; Neues Museum, Nürnberg; Museum of Contemporary Art, Sydney; the ICA, London; the Scottish National Gallery, and the Fruitmarket Gallery, Edinburgh; Kettle’s Yard, Cambridge; Modern Art Oxford; the Whitworth, Manchester; IMMA, Dublin; Château La Coste, Provence and Kode, Bergen, where a new public artwork has just been installed on the building’s facade. His work can be found in the collections of Albright-Knox, Buffalo; Centre Pompidou, Paris; Irish Museum of Modern Art, Dublin; Modern Art Museum of Fort Worth, Texas; Museé des Beaux-Arts, Lausanne; National Galleries of Australia, Canberra; San Francisco Museum of Modern Art, CA; Scottish National Gallery of Modern Art, Edinburgh; Solomon R Guggenheim Museum, New York and Tate Gallery, London.

Elizabeth Magill
b. 1959, Canada
Lives and works in London, UK and County Antrim, Ireland

Elizabeth Magill’s highly idiosyncratic paintings present subjective and psychological takes on the landscape genre. Rich with kaleidoscopic patterning and fragmented forms, these vistas are embedded in place – usually rural settings on the edges of settlements – but transported through the artist’s imagination, memories, photographs or moods to be presented as something other. The term ‘inscape’ has been used to describe Magill’s practice: landscapes not based on direct observation, but imbued with a sense of interiority and reflection. 

Elizabeth Magill has been the subject of solo exhibitions at Arnolfini, Bristol; Bluecoat Gallery, Liverpool; PEER, London; Ikon Gallery, Birmingham; Milton Keynes Gallery; BALTIC, Gateshead; Towner Gallery, Eastbourne; Southampton City Art Gallery and Dublin City Gallery The Hugh Lane. Recent exhibitions include Moments of Being – Contemporary Irish Painting, Solstice Art Centre, Navan (2025); Collecting Contemporary, British Museum; Now You See It, Crawford Art Gallery, Cork (both 2024); Contemporary British Landscape Painting, University of Leeds; Bringing To Light, Towner Eastbourne, both UK (2022). Collections include the Tate; the British Museum; the Government Art Collection; the Arts Council of Great Britain, all London; the National Gallery of Australia; the Irish Museum of Modern Art; The Hugh Lane Gallery, both Dublin; Crawford Art Gallery, Cork; Ulster Museum; and the Arts Council of Northern Ireland, both Belfast.

Liliane Tomasko
b. 1967, Zurich, Switzerland
Lives and works in New York, USA.

Liliane Tomasko’s abstract paintings employ a distinctive, bold lyricism and assertive sense of colour. The artist began her investigation of the human psyche in the domestic sphere, using the intimate textures of our lives to open a gateway into the nocturnal realm of sleep and dreaming. Tomasko’s approach to abstraction is rooted, therefore, in the physical realm but ultimately transcends it. Fusing material observation with intuition and association, the artist produces vigorous, imaginative expressions of familiar environments and psychological states. Intense colour, subtle tone, shadow, and painterly gesture allow space to come in and out of focus, oscillating between clarity and obscurity and emulating the atmospheric power of dreams and memories.

Recent solo exhibitions include The Conundrum of the Organically Angular, Maison La Roche, Fondation Le Corbusier, Paris (2025); Liliane Tomasko: The Psyche of the Portrait. Tomasko meets Bonnard, van Dongen, Paolozzi, and Auerbach, Millennium Gallery, Sheffield Museums, Sheffield, UK (2025); Twofold, Kerlin Gallery, Dublin (2024); The Artist’s Eye, The Douglas Hyde Gallery, Dublin; Name me not, CAB Burgos, Spain (both 2023); S P E L L O F T H E W O O D, Highlanes Gallery, Drogheda; Evening Wind, Edward Hopper House, Nyack, New York, USA (both 2022); and Morpheus, Kunstmuseum Kloster unser lieben Frauen Magdeburg, Germany (2021). She has also exhibited at Château la Coste, Aix-en-Provence; Hôtel des Art, Toulon; ROCA Rockland Center for the Arts, New York; Phoenix Art Museum, Phoenix; Lowe Art Museum, Miami and Museo MATE, Lima.