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Hannah Fitz in Frieze

"What formally unites these objects is that they fall out of their materiality and supposed or assumed function. The doors of Pinocchio’s Bitter End (Rest in Glory, Whole Again) will never open; Journey’s End (Electric Fence) will never function as a boundary. They are, nevertheless, holding their space while keeping the viewer at a distance. Just like a lookieloo, we are able to experience the unattainable by interacting with Fitz’s works – objects playfully at odds with a world dominated by rigid binaries, functions and categories." – Frank Wasser

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Hannah Fitz in Frieze