Two-person exhibition by Jaki Irvine and Locky Morris.
Throughout the months leading into this exhibition, both artists corresponded through Signal chat, sharing ideas through digital word and image. This back-and-forth leaked into reality at certain points, resulting in commutes between Dublin and Derry. Exploring intimate environments, sharing inspiration and process, Re_sett_ing_s is a culmination of this time.
Exhibition Run: 29 October - 10 November
Preview 28 October 18:00 - 20.00
Live Reading Event: Thursday 10 November, 6pm – commissioned response by Laura Fitzgerald
Jaki Irvine works with video installation, photography, music composition and writing. Her immersive video and sound installations tell stories through fragmented, elliptical and open-ended narratives informed by rigorous research. Irvine picks out evocative details from the landscape or cityscape, in particular honing in on Dublin and Mexico City, two cities that have shaped and informed her practice. Contested histories, sonic bricolage, the built environment, and the customs and communities of a city’s residents have all found their way into Irving’s deep-reaching and polyphonic work: songs that filter through a city’s streets, overheard conversations, the flap of a hummingbird’s wings are given equal gravitas. Her attention is often turned to the peripheral or the undervalued: recentring stories or figures written out of history, particularly female figures, or presenting an alternative approach to the present, making space for strangeness. Humans and nature become intertwined in her imaginative worldview, with plants, birds and creatures permeating her practice, and adding to the sense of the unknown and unknowable, and blurring the boundary between the real and the imagined.
Locky Morris was born in Derry City where he continues to live and work. Renowned for his early work that explicitly dealt with the conflict in Northern Ireland - most notably from a socially embedded perspective - he has gone on to develop another working vocabulary that moves fluidly between the personal, public and political. While still informed by the complexities and intricacies of his immediate landscape, this work extends across photography, video, gallery installation and incorporates the social media platform, Instagram. Morris’s practice, born in part out of a fascination for what confronts him in the often chaotic details of the everyday, is rich, inventive and marked by a visual playfulness that feels distinctly his own. Running parallel to this have been numerous large-scale works and interventions in the public realm. The work has also been influenced by his active musicianship.
