b. 1985, Co. Wicklow, Ireland.
Sam Keogh works with installation, sculpture, performance, drawing and collage. Live performances unfold in intricate built environments: installations incorporating diverse materials, from collages and painted panels to plastic skeletons, ceramics to gunge-soaked computer desks, sculptures of severed hands and discarded apple cores, plants and bits of rubbish. These grotesque concoctions of image, object and detritus serve as props and visual cues for performances, but spill over with idiosyncratic detail and extraneous information – the physical remnants of a fictional world, they present an indeterminate space in which materials, memories and affects begin to smudge into each other. Keogh’s performances interweave research on diverse topics into meandering semi-fictional monologues that make surprising connections between political movements, biological processes, archaeology, housing, science fiction, or pop cultural phenomena. Like the sprawling and rebellious environments that house them, they present “a strange and abject cosmology of trash, contamination and revolt”.
Sam Keogh lives and works between Glasgow and Co. Wicklow.
Sam Keogh’s work has been exhibited at the Pompidou Centre, Paris; Tate Modern, London; GrazMuseum, Graz; Dortmunder Kunstverein; the Public School, New York; Eli & Edythe Broad Museum, Michigan State University; Extra City Kunsthal, Antwerp; Lismore Castle Arts; Douglas Hyde Gallery, The Irish Museum of Modern Art, Project Arts Centre and Temple Bar Gallery, Dublin. Current and forthcoming exhibitions include Primary, Nottingham (solo show, 8 July – 2 September); HERE COMES LOVE, Kerlin Gallery (14 July – 26 August), Guts Gallery, Berlin (solo show, October 2023 and Wells Projects, Margate (solo show, 2024). His most recent solo exhibitions include Plaza Plaza, London (all 2023); Centre Culturel Irlandais, Paris (2020); Illuminations Gallery, Maynooth; 1646, The Hague and Mao Jihong Arts Foundation, Shanghai (all 2018), and he has forthcoming solo exhibitions at CCA Goldsmiths, London (2021) and Kerlin Gallery, Dublin (2022). Keogh has participated in biennial exhibitions including the Lyon Biennale, steirischer herbst, EVA International and Glasgow International.
Sam Keogh’s ‘The Unicorn is Killed and Brought to the Castle Cartoon’ (2023) will be exhibited as part of the Paper Biennial 2024, to include a performance by the artist during the biennial’s opening event.
Sam Keogh's solo exhibition The Hunters Enter The Woods Cartoon is at St Chads Projects, Kings Cross, London from 1–15 June.
Solo exhibition of drawing, painting, collage and performance by Sam Keogh.
Sam Keogh's large-scale figurative collage The Unicorn is Killed and Brought to the Castle Cartoon is the subject of a solo exhibition at Guts Gallery in Berlin,
A solo exhibition by Sam Keogh will relaunch the programme of Primary, Nottingham.
The Unicorn Surrenders To A Maiden Cartoon is a solo exhibition by Sam Keogh presenting an installation of large-scale figurative collage.
Group project with Beth Collar, Peli Grietzer, Sam Keogh, Yves Mettler, Sunny Puder, Theodore Cale Schafer, Oli Surel and Titre Provisoire. Curated by Oli Surel.
Sam Keogh's 'The Island' (2021) included in Rethinking Nature, curated by Kathryn Weir with associate curator Ilaria Conti at Museo Madre, Naples.
Running across the basement galleries of the Goldsmiths CCA, Sam Keogh presents a performance, installation of ceramic sculptures and collaged paintings on paper, that draw on pre-modern motifs and myths of abundance.
Sam Keogh presents a new performance and work for the group show ‘Trouble In Outer Heaven: Portable Ops Plus’, which focuses on the influence and fan cultures of ‘Metal Gear Solid’, one of the most popular video game franchises of all time.